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Shortly after Emancipation, the English Plantation owners realized that the African descendants having been freed from slavery wer e reluctant to work on the sugar estate. Based on this realization, they decided to import Chinese and East Indians to work for them. By , the first group of four hundred and seventy two Chinese come to Jamaica from Panama. Prior to this time there were about thirty Chinese living in Jamaica. The second batch, of about two hundred, coming from Trinidad and British Guiana arrived in Jamaica between
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4. Island Demos Sources « rajalelangkomputer.com

Kinky Reggae Top Gear Nov 3,34 Rock It Babe 3,16 from Tuff Gong 7-inch Ravers, Midnight Ravers Version 3,19 from 7-inch Stop That Train Instrumental 2,28 from 7-inch Reincarnated Souls 3,28 from UK 7-inch Small Axe Mono Demo 4,05 a few guitar licks at start, a different rhythm guitar, lesser harmonic lead guitar
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SPoC Approved : Yes. Number of Universities offering Astronomy? Answer: One, the University of the West Indies. Number of Universities offering Physics. Number of Academics Trained.?
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This paper explores an innovative practice-as-research methodology that brings popular culture practitioners and aficionados together with academic researchers in the shared space of symposia on reggae sound system culture. As organizers, we describe what made the symposia different from the normal academic conference in terms of the range of participants, discussion topics, workshops, demonstrations, exhibitions, film showings and the sound system sessions from Roots Injection and Young Warrior. In a self-reflexive fashion some of the outcomes of the events were considered to be the intergenerational conversations, the support for women-led sound systems and the recognition and encouragement that the practitioners of the popular culture said they felt they were receiving from the academic institution of the university. This can be identified via voice recordings and social media comments as a mutual strengthening of the research culture and the sound system popular culture itself. This paper outlines an example of a practice-as-research methodology with reggae researchers and practitioners participating.
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