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Louisa Buck. Such is the conspicuousness of Tracey Emin in what seems like every aspect of London life that it is hard to believe her current exhibition at White Cube2 is her first solo show in the capital for nearly four years. But despite fame, fortune, going steady and giving up spirits, Ms Emin is at pains to stress that, psychologically at least, she is by no means on Easy Street. For those in search of a hit of the sublime while wandering the mean streets of Piccadilly, there is a new light installation by James Turrell at Michael Hue Williams. The frothy excesses of the Rococo are given very different connotations when remade in exotic textiles which carry a raft of colonial history: Indonesian in design, but printed in Holland, and taken to Britain for export to West Africa.
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Tracey Emin

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3am ESSAY: “Going Down” The Art of Tracey Emin

A deviation from Nike Schroeder month this week, as we feature the work of Tracey Emin. Part of her appeal comes from the rawness of her work and the ways in which she processes her life history through her work — sharing it with the audience and making us witness to her experience. Her blankets are big pieces, filled with colour, vitality, passion and energy and replete with spelling mistakes. They are covered in messages and textures that take you on an emotional journey as you read them. The pieces feel like outbursts; their immediacy and the expressive phrases on the blankets create tensions with the methods of production.
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The genres of self-portraiture and the nude run throughout, both intricately bound up with the emotional journey of her life and the travails of her own. In her early work, often characterised by unflinching, Emin makes reference to her family, childhood, and chaotic teenage years growing up in the seaside town of Margate. Her relationships, pregnancies and abortions are recounted through drawings, photographs, found objects and videos in a manner that is neither tragic nor sentimental and which resonates deeply with the audience. A similarly honest approach inflects her videos which document, through first-person narratives, a landscape of emotional states ranging from desire or elation to depression and despair.
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